Sunday, May 17, 2015

The Definitive Yorkshire Parkin


The History

Parkin is a soft, sticky gingerbread cake made with oatmeal and treacle. It originated in northern England (where oats rather than wheat was the staple grain for the less well-off) and is usually associated with the industrial West Riding of Yorkshire. 


Parkin is traditionally eaten on 5th November, Bonfire Night (aka Guy Fawkes Night), when effigies of the unfortunate Yorkshire Catholic are burned on huge bonfires built by young children who spent the previous few weeks foraging for firewood. In some Yorkshire locales, this activity is known as progging; in others, people call it chumping.  

For those that need a refresher, Guy Fawkes was a member of a group of English Catholics who planned the failed Gunpowder Plot of 1605, intending to blow up the Houses of Parliament. In times past, the effigy that was consumed by the flames of the community bonfires was usually of the Pope.


Parkin was such a staple of these celebrations that in 19th century Leeds, November 5th was known as Parkin Day.

Remember, remember!
The fifth of November,
Gunpowder, treason and plot;
I know of no reason
Why the Gunpowder treason
 Should ever be forgot!

and then ….

A penny loaf to feed ol' Pope
A farthing cheese to choke him
A pint of beer to rinse it down
A faggot of sticks to burn him

Burn him in a tub of tar
Burn him like a blazing star
Burn his body from his head
Then we'll say ol' Pope is dead.


The Ingredients

Golden Syrup (UK), Black Treacle (UK) and Molasses (US) are all liquid syrups formed during the refining of sugar cane. 


They vary in color and taste, depending on when in the process they are extracted.  Medium-strength molasses are the essentially the same thing as black treacle. Do not use Blackstrap molasses which would be too bitter. At a pinch, honey can be substituted for the Golden Syrup but never, ever, use corn syrup.

Half a pound of tupenny rice,
Half a pound of treacle.
That’s the way the money goes,
Pop goes the weasel.









Muscovado sugar.  This is an unrefined, soft, dark brown sugar with an intense molasses flavor.








Oatmeal.  After oat grains are de-husked, what remains are the seeds inside the husk or groats.   The oat groats may be then milled to produce fine, medium or coarse oatmeal.  Steel-cut oats (or pinhead oatmeal) are whole oat groats which have been chopped into pieces. Rolled oats are steamed and flattened groats. Most parkin recipes call for medium oatmeal which appears to be a uniquely British product.  If medium oatmeal is not available, there are several acceptable substitutes: (1) steel-cut oats which produce a fairly chewy parkin, (2) organic rolled oats or (3) rolled oats that have been lightly processed in a food processor or blender.



Flour.  It is better to use plain flour + baking soda rather than self-raising flour as (a) the rising agent in SR can expire and (b) it is easier to control the amount of leavening.  I have never tried whole-wheat flour but it’s worth a go.

The Recipe

 225 g plain flour
Pinch of salt
1 tbs ground ginger
1 tsp ground allspice
1 tsp ground nutmeg
1 tbs baking soda (bicarb of soda)
225 g medium oatmeal
100 g unsalted butter
100 g muscovado sugar
175 g golden syrup
175 g black treacle
1 medium/large egg
3 tbs milk
  1. Preheat the oven to 300 (F) or 150 (C).
  2. Sift the flour, salt, spices and baking soda together in a large bowl.  Stir in the oatmeal.
  3. Put the butter, sugar, syrup and treacle in another glass bowl and place over a saucepan of water.  Heat gently until the butter is melted and the sugar dissolved.
  4. Beat the egg, combine with the milk and add to the flour/oats mix.
  5. Pour the syrup mix over the flour/oats and stir. The resulting mixture should be fairly liquid.
  6. Pour the mix into a 20 cm square cake tin which has been greased with butter and lined with greaseproof or parchment paper.
  7. Bake for about one hour until firm to the touch.
  8. Remove from the oven, cool on a wire rack, turn the cake out and wrap in foil for several days.

Sunday, January 11, 2015

Thoughts on making a Crankie Box



Acknowledgment:   Many thanks to Ed Dasse, without whose craftsmanship and workshop, this crankie would not have been nearly so professional in appearance or functionality.

In the Victorian era, before the days of radio and television, families enjoyed home entertainment of one sort or another.  One such diversion was a moving panorama or crankie.  A roll of paper or fabric (the crankie) was illustrated with pictures that told a story, song or poem and was “cranked” or rolled from one spool to another in a miniature theater.



This blog post is intended to give you some idea of how to make your own crankie theatre.  Note that the measurements given are the ones I used; yours can vary depending on how large a presentation you want to give. 


 The 28 inch x 36 inch frame uses 10 x ¾ inch, stain-quality pine boards, screwed together with 2½ inch wood screws.  These were enough to provide adequate rigidity, especially once the front cut-out was installed. Oak and maple boards were considered but were both heavy and expensive.



The spools were made from 1¼ inch dowel with a handle device at the top end, fastened with 6-inch bolts to allow free rotation.  The bottom end of the spool is held with a hole drilled into the base of the frame. Velcro strips were glued to the dowel to secure the crankie fabric.  The spools were kept in place with spool locks that could be rotated open to allow easy removal of the spools. 



 Circular crankie-supports were cut out from a ¾ inch board and glued in place at the end of each spool. Non-rotating tension rods cut from 5/8 inch dowel were installed in the corners as shown to help keep the crankie taut as it is rotated. 

             

 
           
The position of the spools and the tension rods and the diameter of the circular crankie-supports depend on the maximum size of the crankie roll itself. Our prototype crankie used about 30 ft of fabric which was about 6 inches in diameter when tightly rolled on the spool. The tension rods were placed about 1 – 1½ inches from the front inside corners of the frame and the circular crankie-supports are 6½ inches in diameter. These dimensions were adequate to allow smooth operation of the crankie.



The theatre-shaped front cut-out was made from maple 3-ply and screwed to the front. If necessary, a fabric curtain strip can be installed, preferably using Velcro to hold it in place. Lastly, a carrying handle is bolted to the top of the frame.

The job is made considerably easier with the use of power tools if at all possible. The frame boards were cut on a radial arm saw. The dowel holes were cut with Forstner bits and hole saws depending on the best fit (which is very important).  The front cut-out and slots for the spool dowels were cut out with a saber saw and smoothed with drum sander bits on a drill press.  Most of the other holes were accurately drilled with the drill press. The circular crankie-supports, handle bars and spool locks were cut out with a band saw and smoothed on a belt sander.